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If you remember Adobe ( ), the first thing that will strike you about Premiere Pro CS3 is that it’s an entirely different animal. Although Premiere had been around since the advent of QuickTime, the video-editing program was due for a major overhaul by 2002. To produce Premiere’s successor, Adobe abandoned its cross-platform strategy and focused on developing only for Intel chips.

The result was Premiere Pro—vastly improved but Windows-only. Now that Macs run on Intel processors, Adobe is eager to reintroduce its flagship video-editing software to the Mac operating system. Premiere Pro CS3 has none of Premiere 6.5’s fundamental flaws. It has an efficient interface, employs a more elegant paradigm for transitions, supports multiple and nested sequences, and takes a unified approach to effects.

Notable new features include multiple-camera editing, audio mixing with surround-sound support, and the ability to encode for Blu-ray discs. Premiere Pro CS3 has all the core features required for professional video editing; at the same time, little sets it apart from its competitors.

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Until it finds a way to more clearly distinguish itself, Premiere Pro’s appeal will lie primarily in its relationship to the other programs in the CS3 Production Premium suite. Family ties Generally speaking, video editors don’t wed a workflow to an individual editing program; they choose a family of software products. Apple devotees, for example, don’t have a choice: the company’s video-editing software is available only as part of Final Cut Studio 2. The cross-platform video editor Avid ( ) offers a clear upgrade path to the rest of Avid’s product line, which has long dominated high-end postproduction.

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And it’s compatible with Digidesign’s popular Pro Tools audio editor (not surprisingly, since Digidesign is an Avid subsidiary). But it’s much more expensive than Adobe’s video suite. CS3 Production Premium is a bit pricier than Apple’s Final Cut Studio ($1,299)—but along with Mac newcomers Premiere Pro, Encore, and Soundbooth ( ), it includes the venerable ( ), ( ), After Effects Professional ( ), ( ). (Only the Windows version of the CS3 suite includes Ultra, Adobe’s new keying software.) The stand-alone Premiere Pro ships with Encore, for DVD authoring, and OnLocation, software that turns your laptop computer into a field monitor and direct-to-disc capture device.

Unfortunately, OnLocation isn’t Mac-compatible; it runs only via Boot Camp. This isn’t very surprising; Adobe only recently acquired the company Serious Magic and its Windows-only application DV Rack, on which OnLocation is based. And, only the Windows version of the CS3 suite includes Ultra, Adobe’s new keying software, also from Serious Magic.

Until Adobe makes the Mac and Windows packages equal, Mac users may rightly feel neglected. Otherwise, compatibility with the rest of the CS3 family is one of Premiere Pro’s strong suits.

Like the Adobe CS3 design and Web applications, it utilizes Bridge as the command center for browsing and managing assets and communicating between applications. Premiere Pro has commands for launching Photoshop and for exporting to Encore and Soundbooth. One of the most dramatic examples of the benefits of integration is the Dynamic Link feature, which is used to tie Premiere Pro to After Effects.

For instance, a comp of a motion graphic you’ve created in After Effects can appear as a dynamically linked clip in Premiere Pro. If you modify the graphic in After Effects, the changes appear in Premiere Pro. Without Dynamic Link, you’d have to export the motion graphic and then import it into Premiere Pro every time you made a change. Interface Although you may recognize a few editing tools from Premiere 6.5, Premiere Pro CS3’s interface bears little resemblance to that of its ancestor. Like other CS3 programs, Premiere Pro has dispensed with traditional windows and palettes in favor of tabbed panels docked in a system of interdependent panes that use screen space much more efficiently. But in some instances, Premiere Pro departs from tabbed panels. For example, Premiere Pro’s floating Capture panel is not integrated into a workspace.